A partir da analise de uma entrevista, o texto explora a questao da mentira e da utilizado demonstra como tradigao, imaginagao e cultura, erudita e popular. Sumário Definição Cultura Popular Cultura Erudita Cultura de Massa Conclusão Bibliografia Créditos Cultura Erudita Erudito é algo que. São também discutidos os conceitos de cultura popular e as tensões e esse tipo de cultura e a cultura erudita, vista como expressão cultural das classes.


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The canon in antiquity and pre-modern times As with several cultura erudita e cultura popular aspects of our civilization, learned and canon are ancient concepts, irst put into action by our Greek and Roman predecessors and upon which modernity set up new understand- ings, as we shall see.

Greeks were the irst in our Western tradition to be concerned with setting up learning as a cultural value.

It was irst and foremost a matter of literature, of being able to read and write, what the Greeks referred to as graphein, literally to cultura erudita e cultura popular, but taken to mean a form of communication by imprinting signs in diferent objects: From the start, writing was used to note spoken language, including lyrics, and soon it included musical notation.

Writing was thus dependent on cultura erudita e cultura popular and on lyrics, for poetry, the earliest form of recorded utterance, was melody irst and only much later some- thing to be read.

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What a clear deinition: Paideia meant studying literature, and knowing all those lines by heart. It is a common mystery in our day and age to igure out how an- cient Greeks knew the Iliad by heart: They knew it for they sang it.


cultura erudita e cultura popular There was no literature without music. It would though take several centuries to build up a canon, that is, corpus of literature considered as the basis for education, paideia or Bildung, as would put the Germans much later on. This move was an invention of Hellenistic culture, cultura erudita e cultura popular the late fourth c.

For the irst time, writing was at the heart of paideia and culture and it was proba- bly only too natural that measuring standards were established. Even if the term itself was not used early on, the idea that people should learn a series of established texts was there.


The Romans extended the concept much further; establishing a list of must read literary works. Greek authors and genres, as estab- lished by Hellenistic Greeks, were taken as model schemata and used to categorize Latin literature and thus lyrics and music as well.

Cultura Erudita x Cultura Popular by Chrystian Oliveira on Prezi

Romans were thus responsible for conveying all those concepts for the Western tradition, and in the process even petrifying it, as if canons were set on stone as a matter of natural choices.

When the Renaissance returned to the ancient authors with vigor and passion, a list of authors to be studied were already there and new con- tributions were a natural appendix of tradition.

Shakespeare is perhaps the best example of this mix of ancient and modern, for he was always referring to Greek and Latin authors and subjects, reinventing them for modern times.

There was in a way a common ethos from the ancient Greeks to the modern: Enlightenment, industrialization, the nation state and imperialism would change this forever. Learned culture would continue, but cultura erudita e cultura popular in a new relationship with a new term: Perhaps the best ex- ample of this standpoint is the overall emphasis put in compositions cultura erudita e cultura popular the counting-rhymes: One, two, come buckle my shoe; Three, four, shut the door; Five, six, prick up sticks; Seven, eight, lay them straight; Nine, ten, a big fat hen; Eleven, twelve, dig and delve; Thirteen, fourteen, boys are counting; Fifteen, sixteen, girls are ixing; Seventeen, eighteen girls are waiting; Nineteen, twenty, girls aplenty.

Cultura erudita e cultura popular, I do agree with Carlo Guinsburg It seems to me though that there is still some uncertainty on what would be characterized as popular culture.

Cultura erudita e popular by ROSEMEIRE EMIDIO DA SILVA SANTOS on Prezi

cultura erudita e cultura popular The negative deinition as non-elite cultures is good enough in sociological terms but is it possible to deine it ontologically? The kingdom was a stable institution, by divine will, as guaranteed by the Church, Catholic or Protestant.

The new nation state was revolutionary in that it considered all people as citizens, equal, part of a homogeneous entity, sharing language, culture, mores and ways of life and understand- ing past and present.

This was a project of the new bourgeois nation state, enacted, as possible, by the newly introduced elementary school.

Morre, aos 87 anos, o escritor e dramaturgo Ariano Suassuna

No longer so after the French Revolutionwhen all should have common roots and should furthermore not be related to foreigners, such as Germans. Gauls were thus invented as the true ances- tors: La voix des chaines Paroles: Even prior to national cultura erudita e cultura popular, nationalism was searching for the original cultural roots of the desired nation, and this could not be ind in learned tradition, but in ordinary peasants, uncontaminated by scholarship or by the vices of urban life, possibly illiterate and as pristine as possible.

More clearly nationalist REV.