Right of inspection by Marie-Françoise Plissart, Jacques Derrida starting at $ Right of inspection has 1 available editions to buy at Alibris. Echographies of Television: Filmed Interviews is a book by Jacques Derrida and Bernard . Today the "right to inspection" belongs, more than to anyone else, to those who show, edit, store, interpret and exploit images. Stiegler points out that. Right of Inspection Within the framework of Plissart's project, Derrida engages a discussion of the relation of the photographic image to memory, authenticity, and reality. Responding to the impression of Plissart's world of artifice, reversibility, and seduction, Derrida's text illuminates what is at stake in "the right to look.".


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Right of Inspection

Thus when we are striving to remember the worst for example, the complicity of the French state for the treatment derrida right of inspection Jews during World War IIwe are striving to recall the victims, but this means also to derrida right of inspection them back, not just for the sake of a present, but for an ongoing struggle, and thus for a future.

There is more than one spirit, and thus when we speak of spirit, we choose one spirit over another, affirm one injunction or interpretation over another, and thus take up a responsibility.

To inherit is to reaffirm an injunction, but to take it up as an assignation to be deciphered. In so doing, we are what we inherit.


We must decide, and we can only decide, on the basis of what we inherit, but these decisions are also the transformation of what we inherit, and therefore always also involve invention.

This new International without party, which does not accept the imposition of a new world ordermust be more, Derrida argues, than a matter of being able to take the time to read Marx slowly and derrida right of inspection, now that "Marx is dead".

In this sense, it is a question of more than simply the elaboration of critiques.

He asks Derrida why he did so, and what this would mean derrida right of inspection the era of television and "teletechnologies". It may be a matter not of fighting today against teletechnologies but rather so that they are able to make more room for different norms, those of intellectuals, artists, scientists, etc.

Today the "right to derrida right of inspection belongs, more than to anyone else, to those who show, edit, store, interpret and exploit images.

If there is a specificity of modern teletechnology, then it has something to do with the directness of "live" recording and transmission, and the speed with which what is recorded can be made to travel the farthest distances.

Marie-françoise Plissart & Jacques Derrida, Right of Inspection - PhilPapers

Nevertheless, however, we must also recognise that even the most "live" broadcasts are produced. Stiegler suggests that what is important about this is not so much that reality is "artificially" constructed on the basis of a selection, but rather what matters are derrida right of inspection criteria of selection.

He therefore asks Derrida if the problem today is that the selection criteria are overdetermined by the "commercial character of industry," and thus if when Derrida speaks of a " politics of memory derrida right of inspection he is talking about derrida right of inspection the effects of market pressure on the construction of actuality.

To address Stiegler's question would mean, Derrida says, knowing what one means by the market in a world in which there is an increasingly "globalised" circulation of televisual commodities.

He begins by stating that "the image in general" does not exist. The mental image the image I see in my mind cannot be separated from the image-object a painting, photograph, etc.

  • Right of Inspection | Les Impressions Nouvelles
  • Right of Inspection Jacques Derrida
  • Echographies of Television - Wikipedia
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Just as Derrida derrida right of inspection that there is no transcendental signified no meaning which can be shown to precede its inscription in a signifier, so too there is no "transcendental imagery" which precedes the image-object.

If the mental image and the image-object cannot be opposed, however, they are nevertheless different, first of all because the image-object lasts while the mental image is ephemeral.

But if there has never been an image-object without a mental image, even so, derrida right of inspection has never been a mental image which is not, in some way, the return of an image-object. This third stage is part of a "systematic discretization of movement," a process of "grammatisation of the visible".

Right of Inspection - Jacques Derrida - Google книги

Analogico-digital technology is one such moment, in which what is undergoing an intense evolution are the conditions by which we perceive and, therefore, the conditions by which we believe. This is because the digital photograph suspends derrida right of inspection certain spontaneous belief which the analog photograph bore within itself: Although it is possible to manipulate the analog photo, this is as it were an "accidental" possibility, whereas manipulation is the essence of the digital photo.

The ability to do so derives from the fact that even the analog photo is a technical synthesis, and as such exposed to an irreducible potential for falsification. Derrida right of inspection this falsification to be effective, there must be an alteration of what was, but there must also be a belief on the part of the viewer in the "this was" of the photo.

Today, however, with the analogico-digital photo, the conditions of this belief are diminished, leading to a general doubt, and one which affects, for example, democracy.

derrida right of inspection This doubt must be doubled by another doubt, a positive, resolute doubt leading to new forms of "objective analysis" and "subjective synthesis," and therefore to a new kind of belief and of disbelief.

The doubt and fear caused by the analogico-digital image is therefore also what would make possible this more knowing belief.


Analog photography is the result of a "contiguity derrida right of inspection luminances," that is, light reflecting from an object strikes photosensitive film, which is then developed with the use of light, producing a photograph which I see when light reflects from the photograph onto my retina.