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There are also references to other dimensions of subalternity, especially within the framework of the military's tight ideological array of "enemies of the fatherland" whose cultural production suffered repression.
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By focusing on major literary texts produced during a time of censorship and other forms of repression, Foster provides a deeper understanding of Argentine culture. Sociologically, the condition of woman crosses the borders of both time and space which cause la malasangre de griselda gambaro plays, written several decades ago and set centuries ago, to resonate with the contemporary reader.
Politically, Gambaro writes within the Argentine context during or soon after the most recent military regime Therefore, the concepts of nation, authority, and power become intertwined with ideas about gender. In order for the play to work dramatically, Dolores and Rafael must have a chemistry that bespeaks love and hate la malasangre de griselda gambaro.
The actors, Anilu Pardo and Gonzalo Villanueva, perform with passion and conviction, making the relationship believable, and ultimately tragic. The tortured nature of their relationship is exemplified in the scene where Dolores provokes Rafael to hit her by repeatedly cursing him as servile.
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After he does indeed strike her, she calls her father Benigno played by Mauricio Bustamente, who [End Page ] easily moves between the character's authoritative and comedic features, making Benigno a sadistic prankster.
In a terrifying instance of dangerous games, she plays the role of Daddy's little girl while her father decides how to punish Rafael. La malasangre de griselda gambaro joke childishly with each other, with Dolores eventually sitting on her father's lap while he bounces her on his knee.
The superficially frolicsome act horrifies with its sexual suggestion of incest and underlying violence. The tone of playfulness shifts abruptly to naked violence as Rafael is dragged away by the father's lackey, Fermin Dario Tangelsona creepy, fawning fellow.
Decir si & La malasangre / Saying Yes & The bad blood 695 by Griselda Gambaro (2011, Paperback)
With a startling light change, Dolores alters expression and stares at her father, now cognizant of the real pain that she has effected.
The production offers many similarly vivid and tense scenes of cruelty and aggression.
His sadistic character is captured convincingly by the attractive actor Gerardo Gudino.